Tchaikovsky demonstrates that, no matter how many diminished chords, chromatic scales, or other harmonically non-functional passages are used to just kind of dramatically string everything together (think of the vast, wide spaces between villages on the steppes, or something), he is still a badass at second themes. (Symphony 4-I / Symphony 5-I / Piano Concerto 1-I)

2 August 2013 ·

82 notes

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    YAY TUMBLR good post after playing principal on Tchaik 5 tonight ^.^
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Curtis Lindsay
Pianist, composer,
expert in nonsense.



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