Alberto Ginastera
Popul Vuh, la creación del mundo maya, Op. 44
WDR Sinfonieorchester Köln
Stefan Asbury
Never checked this out before, but any tone poem based on the Maya creation legend is bound to hold my attention. Ginastera left this orchestral work, a commission from Eugene Ormandy, almost-but-not-quite finished upon his death in 1983. This recording presents the seven movements he was able to complete.
Goodnight, and happy springtime, tumblr.
103 plays
Tcherepnin
Russian Dances, Op. 50
V. Allegro marziale
Czecho-Slovak State Philharmonic Orch.
Wang Sie Yip
Vaughan Williams
Concerto for oboe and strings (1944)
III. Finale (Scherzo)
Janáček
Taras Bulba,
rhapsody for orchestra
Czechoslovak Radio Symphony-Bratislava
Ondrej Lénard
Debussy
La Mer, trois esquisses symphoniques pour orchestre
I. De l’aube à midi sur la mer
II. Jeux des vagues
III. Dialogue du vent et de la mer
Montréal Symphony Orch.
Dutoit
121 plays
Schumann
Overture, Scherzo, and Finale, Op. 52
II. Scherzo
Philharmonia Orchestra
Christian Thielemann
Bartók Meets Bernstein
Lenny’s original marked score for Bartók’s Concerto for Orchestra? Don’t mind if we do! This work received its world premiere by Serge Koussevitzky and the Boston Symphony Orchestra in 1944. By way of small world, four years earlier, Koussevitzky had taken on a promising young pupil at Tanglewood by the name of … Leonard Bernstein.
You can leaf through the entire score with Bernstein’s markings, in the Philharmonic’s Digital Archives, by clicking here. Andris Nelsons conducts the Orchestra in the work (along with Dvořák’s The Noon Witch and Brahms’s Violin Concerto No. 1) February 6—9.
160 plays
Germaine Tailleferre
Concerto grosso for two pianos, singers, saxophones, and orchestra
III. Allegro maestoso
Orchestre du Conservatoire du Centre de Paris
Clinton-Narboni Duo
314 plays

Chabrier
Bourée fantasque (orch. Roussel)
Detroit Symphony Orchestra
Paul Paray
The French composer Emmanuel Chabrier, friend and inspiration to Ravel and Debussy, was born on 18 January 1841. The Bourée fantasque, a novel and prodigiously colorful piano piece, was one of his last works. He left its orchestration incomplete at his death; it has since been completed by several conductors and composers.
(Cézanne | Mardi Gras (Pierrot et Harlequin), 1888)
429 plays

Brahms
Concerto in A minor for violin, cello, and orchestra,
Op. 102
III. Vivace non troppo
Anne-Sophie Mutter
António Meneses
Berliner Philharmoniker
Herbert von Karajan
(Pál Balkay | Sister and Brother)
159 plays

Shostakovich
Symphony Nº 5 in D minor, Op. 47
II. Allegretto
USSR Ministry of Culture Symphony
Gennady Rozhdestvensky
(Per Ekström | Öländsk landskap i soldis, 1901)
Milhaud
Kentuckiana,
divertissement on 20 Kentucky Airs,
Op. 287b
Louisville Orchestra
Robert Whitney
Borodin (arr. Glazunov)
Petite Suite
VI. Sérénade
VII. Finale
Royal Stockholm Philharmonic Orch.
Gennady Rozhdestvensky
Tchaikovsky
Suite Nº 1 for orchestra, Op. 43
I. Introduzione e fuga
II. Divertimento
III. Intermezzo
IV. Marche miniature
V. Scherzo
VI. Gavotte
Radio Orchestra Stuttgart
Sir Neville Marriner
Bartók
Piano Concerto Nº. 3 in E, Sz. 119
III. Allegro vivace
Geza Anda
Berlin Radio Symphony
Ferenc Fricsay